Hans Zimmer, Monasteries and 18th-century Kyoto

Pessoa’s exploration of multiple perspectives and his layered sense of self might echo how we, as an architect and designer, bring together diverse influences, to shape something both personal and universal. One line in particular, “To feel everything in every way, to hold all opinions, to be sincere in contradictions,” resonates in our work. Architecture and ceramics are inherently multifaceted; they balance functionality with artistry, history with innovation. In a way, our creative process may mirror Pessoa's heteronyms—different facets of one mind expressing unique yet interconnected visions.

Interior design, much like Leonardo da Vinci’s vision, is a poetry of space—felt through balance and seen through simplicity. It is a discipline where symmetry and proportion create harmony, allowing volumes to speak for themselves. Just as da Vinci sought clarity in his works, we believe that true beauty in design emerges when forms are left to express their essence, unburdened by excess.

Lisbon has a unique beauty that deeply resonates with us, especially through its historical landmarks like the convents in Graça and the majestic Mosteiro dos Jerónimos, where history and craftsmanship intertwine. The city's connection to the Tagus River adds a sense of openness and fluidity, constantly shaping its atmosphere. But above all, it is the light that holds us most—the way it shifts throughout the day, reflecting off the tiled facades and casting ever-changing shadows, giving the city an almost poetic presence.

We’d love to experience Milan in the early 20th century, when design and craftsmanship embraced modernity, or 18th-century Kyoto, where simplicity and nature shaped architecture. And of course, Renaissance Florence, where art and design merged in a way that still inspires us today. Each era holds a purity in creation that resonates deeply.